4A 4B

    Ephemera: Posters, Anyang, 2007

  • 2017
  • digital print
  • Two parts, each 84.1 x 118.9 cm (A0)

This series belongs to a larger thread of our work related to the notion of “infra-flat.” We proposed the concept of infra-flat (obviously inspired by Duchamp’s notion of infrathin) in order to describe a sense of depth created by the same force that has been flattening the world: the technology of universal connectivity and instant access. It’s the kind of sense that is evoked once the force has crossed the threshold of total flatness — pseudo-depth, so to speak, for a vision that sees the world as a 3-D version of the 2-D. Our world has been flattened to the point where the depth is defined by the distance between a selfie pod and the subject. Infra-flat is about a negative depth possibly created by a selfie-pod vision once it has finally reduced the distance to minus degrees.

The blurry images – amorphous as if seen from too close a distance – make a clear contrast with the crisp materiality of their supporting structures (such physical apparatuses as paper, frames or tables). The subtitles – Poster, Seoul, 2007 or Postcard, Berlin, 2010, for example – seem to convey some straightforward facts, but they don’t impart any useful information.

Grayscale Grayscale

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18-A-s 18-B-s 18-C-s 18-D-s 18-E-s

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13A-s 13B-s 13C-s

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1A-s 1B-s

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Untitled-1-5 (Technical Drawing)